Step 26: Model Mouth Area  |
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Particularize
(Steps 22 through 29)
Now the time has come to turn a painting into a portrait. Up
until now you have been striving to state the broad generalities
of the subject — the "big truths." Now you will
concentrate on small specifics — the details of the eyes
nose and mouth. We call this final step "particularizing." |
Hover to zoom final painting |
| The halftone planes that surround the mouth are
the most difficult part of the portrait. These planes should
be expressed as simply — but as accurately — as possible. Here
the moustache covers a large area of what would normally require
very careful observation. Note that the moustache casts a shadow
that adds to the expression of the face. Always use the largest
brush possible to do any given task. Just because you are now
working in an area of specific detail doesn't mean that you
should get 'picky.' Continue to work in a broad, simplified
manner. |
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